“Similar to the editing effects that Robinson employs in many of his films, these collages use deceptively simple techniques to produce clever optical tricks. Pasted onto found magazine pages, dense columns of acorns, pine branches and rocks overlap with abstracted geometries of pyramids, graphs and spirals to create the same kind of interplay between psychedelic futurism and open natural environments that continually reappears in the artist’s film work.”

— Matthew Erickson, Frieze

Information and pricing available from Carrie Secrist Gallery