“With photographs it is always, in some sense, only on the surface of this technical mirage that we can locate experience. As with letters between lovers, the sheet of paper is always explicitly not the object. It is, though, the instantiation and documentation of desire. This, then, is why Robinson’s photographs – like the dissolution that animates the poet’s melting postcard text – insist that the still image is always agitated. The images live in our dynamic acts of projection, not the false pedagogy of penetration."

— Nicholas Muellner, My Blankness Exquisite